feature: another pitchfork retrospective?

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    Why does one of the driving forces of forward-thinking music criticism insist on frequently dwelling in the past? The self-proclaimed source for rising music often finds itself knee-deep in decades long past, categorizing and ordering songs according to the whims of the editors. But why? And should we be paying attention? Let's take a moment to talk about it now, so I don't have to talk about it anymore.

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