sun bleached snippet of the joys of love in the video for "Nowhere We Cannot Go".
Having spent nearly two decades creating uniquely affecting music defined by deep personal sentiment and attracting listeners across musical genres, Hayden now signed to Arts & Crafts for the release of his seventh full-length record, Us Alone
Since his emergence from Toronto's burgeoning alternative scene with 1995's now iconic Everything I Long For
, Hayden has intrigued, both for his highly introspective personality and musical independence—performing most instruments on his records and almost always engineering, mixing, and producing as well as self-releasing on his own label, Hardwood Records.
Those skills and tendencies are again showcased on Us Alone
, a sonically rich, beautifully textured return to form. Lyrically, Hayden also continues his strength in crafting stories that will range from the highly autobiographical ("Almost Everything") to strangely unsettling ("Just Give Me A Name"), and goes as far as leaving specific direction of what to do with his body when he dies ("Instructions").
There isn't a particular recording story around this album, Hayden explains. I didn't go record in a Norwegian village or at the bottom of a shrimp vessel. I walked upstairs where every instrument has a microphone and hit record. And, as usual, the songs came together over a long period of time.
I was moving away from so many records now (including some of my past work) where every song features an overwhelming number of instruments; it's often hard to replicate things like that live. I wanted the sound of five people walking into a room and playing a full set. With the exception of some stellar help from friends on a song or two, those five people were mostly just me"
is a subtle, emotional and sonically warm journey written and performed by one of Canada's most consistent artists. A welcome addition to a brilliant career.