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Show Review

Galvanized by the same artistic spirit that called artists like The Smiths, Stone Roses, and The Cure to arms in the 80's, The Veils'' glorious brand of musical poetry first caught our attention with their ever so agonized '06 effort Nux Vomica. Beautiful, dense, and relentlessly authentic, Nux Vomica hit us like a stun gun at the time of its' release...so much so, we knew we had to film them.

Filmed at NYC's Bowery Ballroom in the Fall of '07, this classic concert lived up to our soaring expectations. At the center of the performance, singer/guitarist Finn Andrews quickly assumed the agonized face that his theatrical, unrestrained, and discontent music so rightfully demands. Taking cues from the kind of acts who knew music was no game (see aforementioned), the New Zealander and son of former XTC keyboardist Barry Andrews seems transfixed by something more spiritual as he plays.

While most of the set was pulled from Nux Vomica, ironically, it was a cover of Bruce Springsteen's "State Trooper" that really personified the barely bottled madness the band threatened , and often did, unleash on the wild room. In other words, The Veils are serious buisness, by all accounts...except of course for Andrews' appearance in star studded, red, white, and blue pants (while telling a story about how "these colors don't run) for the band's encore. - David Pitz


Artist Bio

As the son of keyboardist Barry Andrews (XTC, Shriekback), the Veils' Finn Andrews knew nothing else except a world full of music and art. He had plans to become a painter as a young lad; however, a move to his grandmother's abode in Devonport, New Zealand (near Auckland) with his mother pointed Andrews in a different direction during his teenage years. He frequented the local folk scene to escape the ho-hum of country living. Once consumed with his father's electronic work from the 1980s, Andrews was now interested in Patti Smith, Bob Dylan, and Tom Waits.

In 2001, Andrews (vocals/guitar), then 18, returned to London. He befriended Ben Woollacott (drums), Adam Kinsella (bass), and Oliver Drake (guitar), and in a few months time the Veils were born. By fall, Rough Trade's Geoff Travis signed the foursome to the Blanco y Negro imprint, and immediately the Veils began working on their first album. They issued the single "Guiding Light" in 2002; however, contractual disparities and artistic differences with Blanco y Negro turned into a two-year battle until Travis signed the Veils to Rough Trade proper in mid-2003. Luckily, the Veils were able to keep songs recorded during that time. A second single, the lovelorn "Lavinia," was well received at indie rock radio in the U.K.. Shared dates with the Raveonettes, Beth Orton, and British Sea Power preceded the spring 2004 release of the Veils' debut, The Runaway Found.

The album had only been out two months when Andrews announced the departure of Woollacott, Kinsella, and Drake. In late June 2004, Andrews explained via the Veils' website (www.theveils.com) that a second album was already in the works, but that the original members would not be involved. Instead, he had returned to New Zealand, where he met up with former high-school classmates Sophia Burn (bass) and Liam Gerard (piano, organ), who then went back with him to London to begin Nux Vomica, the Veils' sophomore release, an album that then came out in the winter of 2006 (and the spring of 2007 in the U.S.). For the accompanying tour Andrews added drummer Henning Dietz and guitarist Dan Raishbrook to the band.



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The Veils

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