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You won't find a group of musicians who put more into their music than New York City's own, Augustines. Since crashing the scene two years ago (then, as We Are Augustines) with a heartfelt batch of stadium-ready rock, the powerful trio have made a name for themselves with rich chords, brutally honest narratives, and a live show that never lets up on the gas pedal, whether they're playing before tens of thousands at The Reading Fest or a more intimate gathering, such as their rapturous set at our little Launch Pad Party a couple years back. Augustines pour everything they can into their music, yet always strive for a little more emotional electricity, a greater connection with their audience, and the next idea that'll quell their restless, creative spirit.

When we met the band in Brooklyn for a session a couple months back, we encountered them in much the same way they left us at that show at the Launch Pad Party two years earlier. Out that night singer Billy McCarthy took the stage despite having lost his voice to the schedule the CMJ Music Festival often demands. For our follow-up session in anticipation of the band's forthcoming, self-titled album, he had once again donated his voice to the sold out show at Webster Hall the night before. No worries, Billy, bass player Eric Sanderson, and drummer Rob Allen still promised us one song in one take, previewing "Nothing To Lose But Your Head", from Augustines. It's a song about giving it all you have...after all, what's the worst that can happen? You might lose your head, or, in Billy's case, maybe just your voice. Small price to pay to create the kind of magic moment we captured in our new session with the band.


Eeeeh-eeh-eeeeh, eeh-eeeh-eeh
I wanna sing out to this for you
- Check! Scott vocal.
Check one, two, one, two.
Check one, two, one, two.
I think it's hard.
During the Scott practice, Scott vocal, Scott vocal.
- He carries the mics for us on the crew and he actually plays with us too.
He doesn't really enjoy sound checking very much and so, when he goes out he's like "One, two.
One, two.
Scott vocal one, two.
" And it's an interesting way, he makes my day every time he does it.
- Our name is Augustines.
This is "Nothing to Lose but Your Head" "Nothing to Lose but Your Head"]
Have you ever felt lonely?
Like your hollow heart is hanging in the wind?
Your black lungs can't breathe
You got nothing to lose but your head
There are nights that I can't sleep
My mind feels
like an empty parking lot
For the all ones how ever lost a love
They sit at a table in my head, my head
It feels see-through like everyone sees your heart
Has blown apart
That is crippling, cracked, it had enough Now, you got nothing to lose but your head
shine the light
Is your time
You got nothing to lose but your head shine the light
In the dark
Have you ever lost someone?
Scream the Holy Mary down the hole
I cried against the steering wheel
And hated every mirror you ever saw
Have you reached out in a cold, cold
Where you could find the headlights
But knowing you were wrong your whole life
The day you felt true love, love
You feel see-through like everyone sees
your heart
Is blown apart
That is crippling and cracked, it had enough
Now, you got nothing to lose but your head shine the light
It's your time
You got nothing to lose but your head
shine the light
In the dark, the dark
You feel see-through like everyone sees your heart
Is blown apart, That is crippled and cracked, it had enough.
All right.
Hey, you got to get me out of here
Hey, running circles in my brain
Hey, you got to get me out of here
Hey, you got nothing to lose but your head
Hey, you got to get me out of here
Hey, running circles in my heart
Hey, you got to get me out of here
Hey, you got nothing to lose but your
Nothing to lose but your, nothing to lose but your head
Nothing to lose but your, nothing to lose but your head
Nothing to lose but your, nothing to lose but your head
Nothing to lose but your, nothing to lose but your head
Captions by Speechpad.

Artist Bio

With its open-armed energy and elegiac grace, "AUGUSTINES" marks a colossal leap forward for Votiv/Oxcart recording group Augustines no mean feat considering the extraordinary power of their breakthrough 2011 debut, "RISE YE SUNKEN SHIPS." Songs like "Now You Are Free" and the plaintive "Walkabout" are both immediate and engaging, joining joyously unrestrained arrangements with singer/guitarist Billy McCarthy's signature affective lyricism. "AUGUSTINES" marks a milestone on Augustines' amazing journey, the work of a gifted band ascending to new heights while simultaneously grappling with their place in the universe.

"You have to do some soul-searching when given the opportunity to manifest your dream," McCarthy says. "You're free to walk the walk you always said you could walk."

"If you struggle for a period of time to get something, there's obviously a feeling of pride that comes when you achieve it," says co-founder/bassist Eric Sanderson. "It's very freeing, but like with any kind of freedom, it comes with a sense of wonder and confusion."

Augustines was born upon the ashes of the Brooklyn indie rock band, Pela. That combo called an end to its collective trip in 2009, but founders McCarthy and Sanderson reunited to record a series of deeply personal songs chronicling despair, depression, and the untimely death of a close family member. They dubbed their intimate new endeavor, "Augustines," which trademark issues required be appended to "We Are Augustines."

"The name 'Augustines' resonates for us in many regards," Sanderson says. "The minute we gave the project a name is really when it birthed itself. To have that name taken away from us, or even modified in a minor way, was always difficult. Now we've come full circle."

"RISE YE SUNKEN SHIPS" recorded and mixed by Dave Newfeld (Broken Social Scene, Super Furry Animals) instantly set Augustines among modern music's most compelling new bands. Songs like "Juarez" and "Book of James" touched a collective nerve, their dark subject matter refracted and then elevated by Augustines' affirmative approach. Hailed by iTunes as 2011's "Best Alternative Album," "RISE YE SUNKEN SHIPS" was a critical and popular sensation, earning abundant praise and a fervent fan following. McCarthy and Sanderson enlisted the talents of British-born, conservatory-trained drummer Rob Allen and with that, Augustines became a fully-fledged band. The trio traveled the planet, performing innumerable headline shows, support sets, and show-stealing festival dates.

"We went touring together for two and a half years," Allen says, " Over two hundred shows...You can imagine the kind of bond you get from going on the road like that. You become a family."

By the end, Augustines felt akin to Archibald MacNeal Willard's "The Spirit of '76," bloodied but unbowed as they marched home from their long campaign. They paused to heal their dents and dings, with McCarthy embarking on an extended expedition that saw him visit such far-flung locales as Kenya, Turkey, Mexico, and Alaska. He eventually drifted back to the Applegate, California elementary school where he first learned an instrument. There he worked, observed by students and faculty as he put fingers on strings and pen to paper.

"I wanted to go back to the most stripped down form," he says, "to when and where music first touched me. It was very soothing, having been at this for 12 years, to limp back to this small town grade school."

Meanwhile, Sanderson and Allen worked on demos of their own, each still abuzz with ideas and experiences garnered on the infinite tour. In late November 2012, Augustines reconvened for a month of woodshedding at Temperamental Recordings, a converted 19th century country church in Geneseo, New York.

"It was like a music factory," Allen says. "You could just feel the creativity oozing. We'd been playing basically the same set for two years so it was just like an overflow of ideas, like lava from a volcano."

Fully armed, Augustines next headed to Bridgeport, Connecticut to record with co-producer Peter Katis at his residential Tarquin Studios. Katis (The National, Frightened Rabbit, Interpol, and most importantly to Augustines Jnsi) proved the ideal collaborator, helping focus the band's driven pace and ample vision.

"We needed to work with somebody that was mature and confident," Sanderson says. "Peter is very regimented and organized. He's level-headed and that helped us to be level-headed as well."

From the start, the sessions evinced a decidedly more optimistic point of view that the one which fired their heartrending debut, with songs like "Nothing To Lose But Your Head" and the buoyant "Kid, You're On Your Own" lit by positive vibrations and striking confidence.

"This was us moving on together," Allen says. "It was wonderful to come through the other end and record a new record. It was a huge accomplishment and looks towards a brighter future for us all."

"The depth and the place the first record came from is not something that is repeatable," says Sanderson. "It's not something one would want to repeat. We did everything we could as artists, as men to learn from that experience, to become better people and move on."

Where their first record was created in relative isolation, "AUGUSTINES" was made "with the awareness that we weren't going to be alone anymore," says McCarthy. "This is us handing it over to those people that sang our songs back to us all over the world.

"The first record was obviously very personal," he says. "It was really for us in many ways. There was almost an exchange we turned from the interior and started considering some of the breathtaking moments that happened to us on the road, in different countries."

Indeed, tracks like the thundering "Cruel City" and the album-closing "Hold Onto Anything" demonstrate a distinctly outward shift in sonic scope, interpolating the holistic experience of West African music into Augustines' sweeping, multi-faceted sound.

"It's not musicians up on a pedestal," Sanderson who studied music in Ghana says. "The audience is singing, the audience is dancing, they're all making music together.." That's what we've been trying to do our whole lives as musicians, but only recently have we been able to embrace that."

"It's all about being inclusive," McCarthy says. "Interaction is the lifeblood of what we think music is."

Now based in Seattle, Augustines are eager to bring their brilliant new album to a worldwide audience keen for their return. If "RISE YE SUNKEN SHIPS" provided much needed catharsis, "AUGUSTINES" now takes this very special band to an altogether new plane, transcendent and triumphant.



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