When Canadian cult-rockers
Constantines released
Kensington Heights last April, the reaction it spawned was that of a subtle shocker. Three albums deep (
Constantines,
Shine a Light,
Tournament of Heart), the perpetually, "always-on-the-verge" outfit could lay claim to an impressive linage of blue-collar kind of fare. But this - the album that signaled the band's jump from Sub Pop to Arts and Crafts - was something...different.
..Keep Reading.. -
David Pitz
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