After a 33-year residence as an iconic, groundbreaking venue in downtown New York,
CBGBs has officially closed its doors. The citys music scene will continue to thrive, and admittedly CBGBs hadnt launched a worthwhile band in years. Still, the nightclub will be remembered as a pioneering venue, one that offered shows to virtually unknown bands during a time of economic recession, high crime, and urban decay. In the 1970s, most New York venues wouldnt even book a band without a recording contract. CBGBs booked them anyway, and many groups scored contracts
after their time there.
Although owner Hilly Kristal originally envisioned his club as a home for
Country,
Blue
Grass, and
Blues music, CBGBs quickly turned into something else. Television played a Sunday-night gig in early 74, a full three years before debut album
Marquee Moon put their name on the map. That same summer, an unsigned punk band called the Ramones scored a residency at the nightclub. As the years progressed, CBGBs started featuring shows by such newcomers at Patti Smith, The Talking Heads, Alex Chilton, and Blondie. It became a launching pad for new music, emerging genres, and improved relationships between music venues and the bands they booked.
In the age of the Internet, underground bands have a tremendous advantage over their 1970s counterparts. Grimy rock clubs are no longer the sole perpetrators of new music. But as new websites materialize and offer exposure to emerging bands, its important to remember places like CBGBs places that took a chance, stood by the music it believed in, and fought the good fight for 30+ years. New music will live on in its absence.
