Here is some sonic mystery for that autumn mix you are no doubt compiling
this time from Bristol UKs sleek and sharp shoegaze revivalists
Gravenhurst. While these masters of mood have plugged away at creating various songscapes over the course of three albums now, none of their previous albums sound as diverse and finely cut as
The Western Lands (
Warp). Song Among the Pine, while swept wide open with minimal bits of crisp instrumentation packs spot on folkie elegance and donned in black dignity into its spacious boundaries. Opener Saints recalls the same sweet, yet sedated guitar strummers Red House Painters once whisked out of thin air. And both Trust and the title track seize wobbly, 60s guitar pop inspired riffs, all while sustaining a sinfully smooth austere. The flip side of
The Western Lands
look to the track Hollow Men as the best example
reveals a big amped band that still refuses to recover from the ferocious fits
Loveless once put them under. All of this, and there still remains singer Nick Talbots murder ballad (The Collector) tales, and cautious confessions of wrong and regret (She Dances). David Pitz
Gravenhurst's video for "Hollow Men"
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Gravenhurst on MySpace