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Colin Caulfield, otherwise known asYoung Man, first gained recognition for his Youtube covers of bands like Deerhunter, Beach House, and Animal Collective. Deerhunter's Bradford Cox stated that the redux was, "fantastically superior to the original." Caulfield, no longer mimicking the voices of his idols, is now telling his own, Young Man stories, in his first EP, Boy.
Boy's opening track, "Five", begins the tale of the artist's yearning to grow up. The video's adolescent son is mesmerized by the tranquility of his aquarium, whose bubbling flow is complimented by Young Man's psych-infused harmonies. With its tropical, Seu Jorge strums and its "Waterloo Sunset" vibe, Wes Anderson fans should enjoy this unintended, Zissou prequel.

Artist Bio

"It's enough to make you stop and say, What is that? It being the gorgeous melodies and lean, spellbound guitar lines of Colin Caulfield, an English/French lit major who's about to change what it means to be a shape-shifting singer-songwriter in the YouTube age.

Just ask Bradford Cox. He knows. Why, just a year ago, the Deerhunter frontman stumbled upon Caulfield's organ-grinding rendition of Rainwater Cassette Exchange and said it's fantastically superior to the original. It actually sent shivers up my spine, especially during the second verse.

Believe it or not, that chilling cover was just a warmup session. As killer as he is at capturing the very essence of everything from Animal Collective to Ariel Pink, Caulfied's true talent is in telling his own Young Man stories. The first chapter of which goes by the name Boy, a deceivingly-simple suite of songs about wanting to grow up without having the slightest idea of what 'being a man' actually means.

Now that's a reason to hit rewind, from the tone-setting tenderness and psych-infused harmonies of Five to the restless rhythms (Caulfield was a drummer well before he became a singer/guitarist) and room-engulfing intimacy of Up So Fast. Both of which feature some of the most hopeful/haunting choruses you'll hear all year.

And that's just the beginning, of course. Since Young Man was conceived as a concept project about the passing of time, love, and loss, Caulfield already has two loosely- linked LPs on tapa faceless collection of fragile characters that could be any one of us, really.

A lot of it's autobiographical, explains Caulfield, but it's universal at the same time, because everyone goes through these things.

Listen closely. It'll all make sense soon enough. Trust us."

Editorial

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Young Man

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