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She calls it "Organic Moonshine Roots Music" and we agree with her on "Shake Down."

Artist Bio

Understanding the order of time is important to anyone hoping to manifest a dream, says Valerie June. There is a time to push, and a time to gently tend the garden.

Since the release of her 2013 breakout Pushin Against A Stone, June has been patiently at work in the garden of song, nurturing seedlings with love and care into the lush bloom that is her stunning new album, The Order Of Time. Some songs grew from seeds planted more than a decade ago, others blossomed overnight when she least expected them to, but every track bears the influence of time. See, time has been on Junes mind a lot lately. Its the only constant in life, even though its constantly changing. Its the healer of all wounds, the killer of all men. Its at once infinite and finite, ever flowing with twists and turns and brutal, churning rapids that give way to serene stretches of placid tranquility. Fight against the current and it will knock you flat on your ass. Learn to read it, to speak its language, and it will carry you exactly where youre meant to be.

Time is the ruler of Earths rhythm, June explains. Our daily lives revolve around it. Our hearts beat along to its song. If we let it, it can be a powerful guide to turning our greatest hopes and dreams into realities.

June knows a thing or two about turning hopes and dreams into realities. With Pushin Against A Stone, she went from self-releasing her music as Tennessees best kept secret to being hailed by the New York Times as one of Americas most intriguing, fully formed new talents. The New Yorker was captivated by her unique, stunning voice, while Rolling Stone dubbed her unstoppable, and NPR called her an elemental talent born with the ability to rearrange the clouds themselves. She astonished TV audiences from coast-to-coast with spellbinding performances on The Tonight Show, The Late Show, Austin City Limits, Rachael Ray, and CBS Saturday Morning, and graced some of the worlds most prestigious stages, from Carnegie Hall to the Kennedy Center. First Lady Michelle Obama invited June to The White House, and she toured with artists like Sharon Jones & The Dap Kings, Sturgill Simpson, Norah Jones, and Jake Bugg in addition to flooring festival crowds at Bonnaroo, Outside Lands, Newport Folk, Hangout, ACL, Pickathon, Mountain Jam and more. In the UK, the reaction was similarly ecstatic. June performed on Laterwith Jools Holland, joined a bill with the Rolling Stones in Hyde Park, and took the press by storm. Uncut praised her remarkably careworn vocals, MOJO swooned for her glorious sound, and The Independents Andy Gill wrote, June has the most strikingly individual delivery Ive heard in ages.

When it came time to record the follow-up, June felt liberated by the success, fearless and more confident than ever in trusting her instincts and following her muse. There was to be no rushing the music, no harvesting a song before it was ripe on the vine and ready to be plucked. When she sensed the time was right, she headed to rural Guilford, Vermont, with producer Matt Marinelli, spending long stretches through the fall and winter living and recording away from the hustle and bustle of her adopted home of Brooklyn.

They made us feel so welcome in Vermont, remembers June. I was cooking amazing food and hanging out with the band all the time. There were long talks and long walks in the snow, and friends would come up for holidays. I felt like I put myself in a place where I could really soar. With the last album, I was absorbing and learning and developing so much in the studio, but this is me taking the things I learned and the things I felt in my heart and fighting for them.

In her heart, June is a songwriter first and foremost, willing and able to blur the lines between genres and eras of sounds. The result is an eclectic blend of folk and soul and country and R&B and blues that is undoubtedly the finest work of her career. Opener Long Lonely Road settles in like languid southern heat, as June looks back to the sacrifices of her parents and grandparents, singing in a gentle near-whisper of the sometimes difficult, sometimes beautiful journey we all must undertake in search of brighter days. On the soulful Love You Once Made, her voice is backed by rich horns and vintage organ as she makes peace with the specter of loss and the ephemeral nature of our relationships, while the bluesy juke joint rocker Shake Down features backup vocals from her brothers, Jason and Patrick Hockett and father, Emerson Hockett recorded at home in Tennessee, and Man Done Wrong centers on a hypnotic banjo riff thats more African than Appalachian.

People shouldnt necessarily think of bluegrass when they see the banjo, explains June. It was originally an African instrument, and people in America used to play all kinds of banjo: mandolin banjo, ukulele banjo, bass banjo, classical banjo, jazz banjo, there were even banjo orchestras. For some reason people like to limit it and say it just has to be in folk and bluegrass, but to me it can be in anything, and I really wanted to set the banjo free on this record.

The banjo turns up again later as the underpinning of the R&B rave-up Got Soul, which plays out like a mission statement for the entire album, as June offers to sing a country tune or play the blues but reveals that underneath it all is her sweet soul. Those genre terms might be simplistic ways to attempt to define her, empty signifiers creating distinctions between sounds where June sees none. With You channels the sprightly, ethereal beauty of Nico with fingerpicked electric guitar and cinematic strings, Slip Slide On By grooves with shades of Van Morrison, and If And slowly builds over meditative hum that hints at John Cale.

Despite the musics varied nature, the songs all belong to a cohesive family, in part because theyre tied together by Junes one-of-a-kind voice, and because theyre all pieces of a larger rumination on the passage of time and how it affects us. The ultimate takeaway from tracks like The Front Door and Just In Time is that the present is all we have. Everything around us (our loved ones, our youth, our beauty) will someday fade and disappear, but that transience is what makes those things all the more magical. Were given this brief moment to share our love and light with the world, and when, as June sings on the album, Times hands turn and point straight towards you, youd better be ready.

Thankfully for us, June was ready when time told her to harvest these songs. In the garden, as in life, there is a time for everything and the moment has finally arrived to enjoy the fruits of all her labor. With 'The Order Of Time, Valerie June has prepared a bountiful feast, and theres a seat at the table for everyone.

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Valerie June

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