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Show Review

With every new Touch and Go release lately, we've been wondering, "is this the last we'll hear from them"? If it is, this video from Atlanta's All the Saints ain't a bad way to go out. Certainly no frills...but when it comes to the bands associated with T&G, who needs 'em? Especially in this case... Shot in what looks like the band's practice space, this illuminating video from last year's Fire on Corridor X need no polish to get its' point across. All the Saints wail...I think that's about all listeners need to know. - David Pitz

Artist Bio

Psychedelic yet direct, raging but tuneful, All the Saints debut LP Fire On Corridor X bulldozes preconceptions at volume. Named after a section of the I-22 highway connecting the trios native Alabama to Mississippi, the cryptic title track is a hypnotic mind-meld of their primary influences, welding a Loop-sized space-groove to The Gun Clubs lyrical bite. That song is about where we grew up, explains singer and guitarist Matt Lambert. I try to have a little bit of where were from in everything we do, without flying rebel flags and playing alt-country. The paradox of our band is that were from the South, but youd never be able to guess.

Lambert, bassist/co-vocalist Titus Brown and everybodys soon-to-be fave new drummer Jim Crook moved to Atlanta in neighboring Georgia in 2004, attracted by the bohemian state capitols liberal atmosphere (its the New York of the South) and a fertile music scene that has spawned the likes of Deerhunter and Black Lips. All The Saints came into existence a year later, their moniker inspired partly by an old Verbena song and partly by an outsized fleur-de-lis saints symbol which a tramp had spray-painted gold and sold to the nascent combo at one of their early gigs. via

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All the Saints

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