Fujiya & Miyagi
Dont get it twisted. Krautrock, the catchall term for many progressive, avant-garde 1970s German bands, isnt the only influence found on Fujiya & Miyagis phenomenal new album Transparent Things. I like Sly and the Family Stone as much as I like any German band, says lead singer and guitarist David Best from his home in Brighton. But fans of the genre should find an aural kindred spirit in Things. Baeble caught up with Best before the bands subsequent European and U.S. tours to get his Top 10 Essential Krautrock Albums. Your primer starts here.
1. Can Ege Bamyasi (1972)
 This sounds like Germans thinking that theyre James Brown. I first heard this when I was in college. I was at my friends house and his dad had it. We used to play Im So Green over and over again. It was just like, Wow, what was this? In England, when you just hear bloody endless guitar solos, its nice to hear something so succinct.
2. Cluster Zuckerzeit (1974)
 It's really stripped-down, beautiful, simple melodies but it's got this chuggy, drum-machine pattern through it. It kind of sounds like sophisticated children's music in a way but it's just perfect. It still sounds fresh now. You can see where all the people like Plaid and the Warp Records stuff got it from. It's quite influential, I think.
3. Harmonia - De Luxe (1975)
 Its the two guys from Cluster and the guitarist from Neu! This is their second album. Its got a lot of the same things that the Cluster albums got but combined with the guy from Neu!, its a bit more freer and spacious without sounding like a wanker. The first song on it has a nice German chant on it, but the whole album sounds like it was from another planet.
4. Kraftwerk Computer World (1981)
 Computer Love was my favorite Kraftwerk song and I must admit I was gutted when Coldplay abused it. When I was at work, people were humming that tunethis was before I even knew theyd done itId be like, You humming Computer Love? And theyd go, No, Coldplay. What? You what?? I was outraged. I love Trans-Europe Express and Radio-Activity and theyre all great. But if you had to pick one, I think its their most complete. Its kind of their most pop one, but Im a bit of a sucka for pop stuff.
5. Neu! Neu! 75 (1975)
 When Im asked about these things, I never mention Neu! I really like Neu!, but everyone always talks about us having a Neu! beat so I kinda steer clear of it. Maybe thats a bit unfair. I like the first Neu! album, but this is the best one. Theres the Michael Rother side and the Klaus Dinger side. Michael Rother does these beautiful soundscapes without turning into Yes and Klaus Dinger basically invented punk.
6. Faust Faust IV (1973)
 Naming their first song on the album Krautrock was quite good. Its what I imagine Pulp shouldve done on their first album and name a song Britpop. The albums so varied. Everyone always think theyre just mental doing all collages and its impenetrable, but this ones got some beautiful songs on it.
7. Eroc Eroc (1975)
 He was a drummer in this psych-proggy-freak German band [Ed. note: Grobschnitt], but he did a few albums on his own. Theres a song called Norderland, which has a lovely sound of breaking glass. Its got quite a lot in common with the Michael Rother stuff, Neu! and Harmonia.
8. Can Future Days (1973)
 Its the best music for going to sleep to. I listened to that, not exaggerating, every night for about six months when I was 17. I always fell asleep halfway through so I never got to the end. Subsequently, I know it all really well. Damo Suzukis voice sounds really relaxed. Its just very different from Ege Bamyasi and its the one directly after that.
9. Cluster Sowiesoso (1976)
 Like Future Days is to Ege Bamyasi, this is the same to Zuckerzeit. Its very pastoral and relaxing. You can imagine they recorded this in a field. Pretty much everything I hate about music, actually, but theres something about this one that works. Roedelius from Cluster just has a beautiful way with melodies. Theyre just perfect and thats what its all about, innit? I think a lot of electronic music forgot about the melodies, which is why I lost interest in it. It did the same thing as prog rock did when showing off guitar and keyboard solos. It was all about programming.
10. Can Tago Mago (1971)
 This is just incredible. Halleluwah is the sound of funky Germans, but funky Germans who just keep going on and on and on.
On first exposure:
I got into a lot of that music when I was 15 and 16 through a friends older brother who was quite clued up and also a bit of John Peel. Theres a [The] Fall song called I Am Damo Suzuki and they were one of my favorite bands so I traced it back and got well into Can and then discovered all the rest of the stuff. I liked it because Im not a big fan of [the] guitar solos [prevalent in Brit-rock at the time] and nothing was there that didnt need to be there. It was quite precise.
On the term Krautrock:
I dont really like the term. One, it says rock in it and Kraftwerk and Cluster and Harmonia are anything but rock. And Kraut is kinda derogatory. I always cop out and go German music in the 70s or motorik. Im oversensitive and its not even my country.
On the genre and Germany:
We just played Germany for the second time last week. Its funny because some aspects of our music are indebted to this genre, but it seems in Germany, not too many people are into that sort of music. Were going to the birthplace of the stuff that we like but no ones saying, Oh hang on, thats a Neu! beat or That one sounds a bit like Can. No ones really got it, but it was good to go there.
Its fair enough though. Its a long time ago and I dont think it meant as much there as it did to a lot of people in England or the States. I remember when I was at work, I had a picture of Kraftwerk on my desk. This German came up and said, God, thats so naff. Are you mental?
Fujiya & Miyagi begin their U.S. tour with Peter, Bjorn & John April 30th. For more info, you can visit their web site HERE and Myspace HERE.
By Jason Newman
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