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The Raveonettes - 3.11.2007 at Maxwell's
 
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Self-confident and ambitious, the Raveonettes entered the garage rock race of the new millennium with a stylish, brassy sound not heard since Sonic Youth's Daydream Nation. Sune Rose Wagner (guitar, vocals) and Sharin Foo (bass, vocals) hail from Copenhagen and formed the Raveonettes out of dismay for their homeland's state of music.

Wagner had tried getting a band together during the late '90s, packing his bags for New York City's Hell's Kitchen and later experiencing the small crannies of Las Vegas, west Hollywood, and an island outside of Seattle. His first exposure to pop music was his mother's copy of Bob Dylan's Before the Flood. Bob Dylan became Wagner's musical muse. Bits of Buddy Holly and the Everly Brothers and the guitar work of Mark Knopfler sunk in later on, but the lovely dissonance of Sonic Youth and the Jesus and Mary Chain motivated Wagner to do music on a professional level. Alas, his stay in America didn't exactly pan out, so Wagner returned to Denmark and connected with Foo, who had been singing in and around hometown clubs. Foo was born and bred on the Beatles and the Velvet Underground, but also found world music to be equally enticing. During a six-month stay in India, Foo studied qawwali music and dhrupad, the most ancient style of Hindustani classical music. Once Foo and Wagner hooked up, the adventures of the Raveonettes began.

The Raveonettes had a set of rules when it came to creating material. These rules consisted of making an album entirely in Bb minor, surrounded by only three chords, and each song had to be less than three minutes long. Ride cymbals were not allowed, either. What came about was a fuzzy, dark, cinematic set of songs collected for the Raveonettes' debut album. Whip It On, which was written on a four-track and drum machine, fused classic garage rumblings with frenzied electronic bits. Whip It On appeared on Crunchy Frog in Europe in summer 2002. In July, the Raveonettes waltzed into N.Y.C.'s CBGB for an American introduction. Producer Richard Gottehrer (Blondie, Joan Armatrading, the Go-Go's) caught the show and signed on to work on the band's first full-length album. A deal with Columbia followed before the year's end, posing the Raveonettes for some quality buzz in the year to come.

The Chain Gang of Love appeared in September 2003. The first single from the album, "That Great Love Sound," became a minor hit, due in part to a creepy video featuring Foo and Wagner dreaming up ways to kill each other. The sessions for their next album began in late 2004, and Wagner cast aside their songwriting and recording rules and almost all traces of guitar distortion, replacing them with classic songcraft and lots of rich reverb on everything. The resulting album, 2005's Pretty in Black, featured guest spots from Suicide's Martin Rev, Ronnie Spector, and the Velvet Underground's Moe Tucker. In early 2008, the band released Lust Lust Lust. - allmusic

 
  
    
 

Beauty Dies

Beauty Dies
Vice
10.21.2008

The Raveonettes - Lust Lust Lust

 

 
    
    
 

Sometimes They Drop By

Sometimes They Drop By
Vice
9.23.2008

The Raveonettes - Lust Lust Lust

 

 
    
    
 

Remixed

Remixed
Vice
9.8.2008

The Raveonettes - Lust Lust Lust

 

 
    
    
 

Lust Lust Lust

Lust Lust Lust
Vice
2.19.2008

The Raveonettes - Lust Lust Lust

 

 
    
    
 

Pretty in Black

Pretty in Black
Columbia/Orchard
5.3.2005

The Raveonettes - Lust Lust Lust

 

 
    
    
 

The Chain Gang of Love

The Chain Gang of Love
Columbia
8.25.2003

The Raveonettes - Lust Lust Lust

 

 
    
    
 

Whip It On

Whip It On
Orchard
8.6.2002

The Raveonettes - Lust Lust Lust

 

 
    
  
 

Mixing '50s-styled bubblegum melodies with loud, raunchy guitars might not sound like an instant hit. And you know what? It's not. To be fair, it takes about 10 seconds to fall in love with the Raveonettes' doo-wop/garage-rock sound, another 2 seconds to fall in love with their self-contained stageshow, and then a final 2 seconds to develop crushes on the band members. So, all in all, the Raveonettes will have you raving in 14 seconds flat.

The duo cranks up the distortion for this live show, and the absence of a drummer turns most of the songs into guitar-led vehicles for Wagner and Foo's harmonies. Their vocals are Velcro-tight, rising and falling in identical steps, nearly indistinguishable in their similarity to each other. Even with the guitars turned up, the pair's voices remain soft and sweet, providing a sugary topping to the hard-edged rock candy beneath.

If you combined The Velvet Underground with the Everly Brothers, you might approximate this band's sound. But you know what? You can't do that. You can check out the Raveonettes' intimate, two-person performance, though, so Push Play and enjoy That Great Love Sound.
- Andrew Leahey

 
  
   
 

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www.theraveonettes.com

 
    
  
 
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Coachella Music Festival (Empire Polo Grounds)Indio / CAevent informationticket information
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Verge Music FestivalMilwaukee / WIevent information 
 
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Bio
 
   
 

Self-confident and ambitious, the Raveonettes entered the garage rock race of the new millennium with a stylish, brassy sound not heard since Sonic Youth's Daydream Nation. Sune Rose Wagner (guitar, vocals) and Sharin Foo (bass, vocals) hail from Copenhagen and formed the Raveonettes out of dismay for their homeland's state of music.

Wagner had tried getting a band together during the late '90s, packing his bags for New York City's Hell's Kitchen and later experiencing the small crannies of Las Vegas, west Hollywood, and an island outside of Seattle. His first exposure to pop music was his mother's copy of Bob Dylan's Before the Flood. Bob Dylan became Wagner's musical muse. Bits of Buddy Holly and the Everly Brothers and the guitar work of Mark Knopfler sunk in later on, but the lovely dissonance of Sonic Youth and the Jesus and Mary Chain motivated Wagner to do music on a professional level. Alas, his stay in America didn't exactly pan out, so Wagner returned to Denmark and connected with Foo, who had been singing in and around hometown clubs. Foo was born and bred on the Beatles and the Velvet Underground, but also found world music to be equally enticing. During a six-month stay in India, Foo studied qawwali music and dhrupad, the most ancient style of Hindustani classical music. Once Foo and Wagner hooked up, the adventures of the Raveonettes began.

The Raveonettes had a set of rules when it came to creating material. These rules consisted of making an album entirely in Bb minor, surrounded by only three chords, and each song had to be less than three minutes long. Ride cymbals were not allowed, either. What came about was a fuzzy, dark, cinematic set of songs collected for the Raveonettes' debut album. Whip It On, which was written on a four-track and drum machine, fused classic garage rumblings with frenzied electronic bits. Whip It On appeared on Crunchy Frog in Europe in summer 2002. In July, the Raveonettes waltzed into N.Y.C.'s CBGB for an American introduction. Producer Richard Gottehrer (Blondie, Joan Armatrading, the Go-Go's) caught the show and signed on to work on the band's first full-length album. A deal with Columbia followed before the year's end, posing the Raveonettes for some quality buzz in the year to come.

The Chain Gang of Love appeared in September 2003. The first single from the album, "That Great Love Sound," became a minor hit, due in part to a creepy video featuring Foo and Wagner dreaming up ways to kill each other. The sessions for their next album began in late 2004, and Wagner cast aside their songwriting and recording rules and almost all traces of guitar distortion, replacing them with classic songcraft and lots of rich reverb on everything. The resulting album, 2005's Pretty in Black, featured guest spots from Suicide's Martin Rev, Ronnie Spector, and the Velvet Underground's Moe Tucker. In early 2008, the band released Lust Lust Lust. - allmusic

 
   


Show Review
 
   
 

Mixing '50s-styled bubblegum melodies with loud, raunchy guitars might not sound like an instant hit. And you know what? It's not. To be fair, it takes about 10 seconds to fall in love with the Raveonettes' doo-wop/garage-rock sound, another 2 seconds to fall in love with their self-contained stageshow, and then a final 2 seconds to develop crushes on the band members. So, all in all, the Raveonettes will have you raving in 14 seconds flat.

The duo cranks up the distortion for this live show, and the absence of a drummer turns most of the songs into guitar-led vehicles for Wagner and Foo's harmonies. Their vocals are Velcro-tight, rising and falling in identical steps, nearly indistinguishable in their similarity to each other. Even with the guitars turned up, the pair's voices remain soft and sweet, providing a sugary topping to the hard-edged rock candy beneath.

If you combined The Velvet Underground with the Everly Brothers, you might approximate this band's sound. But you know what? You can't do that. You can check out the Raveonettes' intimate, two-person performance, though, so Push Play and enjoy That Great Love Sound.
- Andrew Leahey

 
   


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