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Mando Diao - 5.14.2007 at The Bowery Ballroom
 
bio show review discography photo gallery tour dates fans links
    
 

Never Seen the Light of Day

Never Seen the Light of Day
EMI
12.4.2007

Mando Diao - Hurricane Bar

 

 
    
    
 

Ode to Ochrasy

Ode to Ochrasy
Mute
8.28.2006

Mando Diao - Hurricane Bar  

 

 
    
    
 

Hurricane Bar

Hurricane Bar
Mute
3.8.2005

Mando Diao - Hurricane Bar

 

 
    
    
 

Japan Tour EP

Japan Tour EP
EMI/Virgin
7.26.2004

Mando Diao - Hurricane Bar

 

 
    
    
 

Bring 'Em In

Bring 'Em In
Mute
8.26.2003

Mando Diao - Hurricane Bar

 

 
    
   
 

AnnMarie

Amylu

Baeblehead

Chantal

yerriluigui

Leonie

kidrock

Joaquin

Deniz

mate
 
   
    
 

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www.mando-diao.com/

 
    
   
 
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  Duration 48:25  
 
 
  Plays 45106  
 
 
 
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Additional Video
  "The Wildfire"
Mando Diao
length 4:06
views 925
 
 
     
 Mando Diao Green Room - Mando Diao
5.14.2007 at Canal Room
views 2531
 
 
     
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Bio
 
   
 

Mixing garage rock sneer and Brit-pop sass -- along with a truckload of other influences -- Borlange, Sweden's Mando Diao began when its members were all still in their teens. The band's germination dates back to 1995, when singer/songwriter/keyboardist Daniel Häglund and singer/songwriter/guitarist Björn Dixgärd were in a band called Butler. Even after that group broke up, the pair continued playing and writing together, eventually bringing bassist Fredrik Nilsson, guitarist Gustaf Noren, and drummer Anton Grahnstrom into their fold; Nilsson and Grahnstrom were replaced by Carl Johan Fogelklou and Samuel Giers. By 1999, they were known as Mando Diao. The group continued to hone their sound, blending pop, mod, soul, R&B, and Brit-pop elements into a style that was quirky yet timeless. In 2002 they released their first E.P., Motown Blood, through the Majesty and Capitol imprints; the acclaim for the E.P., and the similarities in their sound to the Strokes and the Hives, raised Mando Diao's profile considerably, and the band went on tours of Sweden with the Hellacopters and Kent. Later that year the band released the singles "Mr. Moon" and "The Band", both of which stoked anticipation for their full-length debut album, Bring 'Em In. In 2005, the band returned with Hurricane Bar; a follow-up record that landed in a musically similar place. Courting Ode to Ochrasy, the band’s latest release is a documentation of 18 months on the road in support of Hurricane Bar.

 
   


Show Review
 
   
 

Ode to Ochrasy: If you find yourself struggling with the title blazed across the cover of Mando Diao's latest record, don't worry. The band coined the term all on their own. "Ochrasy is no tangible place. It's the bleak, bleary swirls of hours between gig end and sunrise…the haze of fuzzy bars in fuzzier cities. It's where the criminals, freaks, and fuck-ups hang out and, prowling in their midst, there's Mando Diao hunting for fresh songwriting meat." Some might consider the Swedish band a bit bold for engaging in such a sonic, anthropological study of those who make the nighttime such a dangerous, down, and dirty adventure at times. But when anyone spends a few years of their life working until 1am, it can't really be considered a study…it is life.

Filmed at New York City's Bowery Ballroom, this performance shows what years spent living in "Ochrasy" have done for Mando Diao. Marrying a tightly knit sound with sinister slanted lyrics, epic song writing, and a celebratory stage presence, Mando Diao are a boisterous bunch of Swedes worth believing in. They may be a robust looking pack. But behind their irresistible style lies an artistic substance all their own that has gone critically overlooked throughout the years. - David Pitz

 
   




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