No MC carves out quite the mark on hip hop that London England's Dizzee Rascal does. His is a completely unique take on the genre; one guided by a solid sense of self, and the confident perfection of tailor made skills he's spent a lifetime developing. Never does he slip his accent under the radar; never does he fail to stay true to himself. No, the Dizzee Rascal you see here is most likely the same passionate cat who feverishly tuned into every slice of hip hop coming out of New York when he was a kid.
Which I suppose makes this performance from New York's Webster Hall special. Here's Dizzee - an obvious scholar of the genre's storied history (check out "Don't Make Me Get Old School") - holding down his own in a foreign city and country altogether. Though don't think he doesn't belong. The spirit of New York City hip hop is undeniably on display throughout Dizzee's incredible performance. -David Pitz
Born Dylan Mills
, Dizzee Rascal
first began crafting his own productions on a classroom computer. Noisy, off-kilter tracks were made to back his own MCing, since he found that the average garage track was not suited for his style of delivery. Taking cues from a host of admired U.S. MCs, Mills began to develop his songwriting skills, which began to take on an increasingly introspective quality. He was no stranger to making boastful pronouncements, but he drew from his own life and various mind states in a way that few other MCs -- regardless of background and nationality -- had done before.
When Mills recorded the underground white-label single "I Luv U," he had just started to make a name for himself in the U.K. garage scene, as a member of Roll Deep Crew. He, his fellow crew members, and a cast of other groups and MCs were building on a more aggressive and abrasive offshoot of relatively slick, R&B-oriented garage that would begin to be referred to as grime. "I Luv U" became one of grime's key singles and paved the way for Mills' first full-length album, Boy in da Corner
, which was routinely praised by critics upon initial release in July of 2003. In what might have initially seemed like a press stunt to cynics, Mills was stabbed several times while visiting Ayia Napa, a resort in Cyprus, just before its street date. He made a safe recovery, picked up the 2003 Mercury Prize a couple months later, guested on Basement Jaxx's Kish Kash
, and saw his album receive a U.S. release in January of 2004. He became more of an underground sensation stateside; Anglophiles with equal love for dance music and hip-hop tended to embrace him, while others found themselves baffled by all of the hype. In September of 2004, Dizzee released Showtime
worldwide, followed by Maths and English
in 2007. Maths and English
was later licensed by independent hip hop powerhouse Def Jux this past spring.