Minneapolis-based indie synth rock existentialists Solid Gold
closed our 2012 Launch Pad party at Spike Hill with a transient dream of experimental and melancholic tunes off their sophomore record Eat Your Young
. Watching their 30-minute set, like the Brooklyn audience they performed for back in October, you'll quickly become consumed and assuaged by the trickled effects and moody tones, which remain consistent throughout.
So the Portuguese have this saying: saudade, a single word that summarizes an entire state of being, a lingering sense of longing for lost love and sepia-toned snapshots of yesterday. The way Solid Gold sees it, saudade might as well be as the subtitle of their second album: Eat Your Young, a slow-burning set of skittish synths, glassy beats, ripple effect riffs, and melancholic melodies that leave you wondering what left a trail of scar tissue deep within the groups core trio (frontman Zack Coulter and multi-instrumentalists Matthew Locher and Adam Hurlburt).
Only its not that simple, not as easy as reducing a record to a series of bad relationships and broken hearts. Depending on who you ask, Eat Your Young is inspired by everything from lucid dreams to existential dread to the way we often wander through life in a catatonic state. And yet, its not a hopeless listen; more like an album that maintains its mood for 40 minutes and leaves an impression as deeply ingrained in your subconscious as the nostalgia-triggering memories that earned saudade its own national holiday in Brazil.
"Weve never been motivated by making records," explains Locher. "Were driven by making something beautifulcapturing a moment in our lives that can translate to any place or time."
That much is clear as Eat Your Young creeps across your speakers like a quiet storm, ebbing and flowing at every turn, from the exorcised demons of "The Pendulum" to the bookending outbursts of "Shock Notice" and "In the Hollows." All of which sounds incredibly confident despite the records shades of darkness. Thats because Solid Gold spent years developing their musical and lyrical concepts, beginning with their smoky club formation at the University of WisconsinLocher and Coulter were in the same architecture classand becoming much more of a serious pursuit once the group moved to Minneapolis and tracked their 2008 debut, Bodies of Water.
"Theres a competitiveness underlying the desire to make the best music possible," says Coulter. "Its a combination of a meticulous approach and an off the cuff, punk-like writing style.
""Our instrumentation ranges from crude to classic," adds Locher. "All of us operate within those parameters. The best way to describe our songwriting process is 'atomicelectrons trying to rip themselves from a nucleus to recombine into new forms."
Maybe thats why Eat Your Young brings to mind everything from the gleaming skyscrapers of Blade Runner to the dimly lit streets of a midnight drive. Or as Locher puts it, alluding to the bands push and pull dynamics, "Dystopian futures, wrought with oppression and rich with struggle, just seem to fit our sound best."