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A band whose well weathered members have racked up years of due payment gigging with the likes of Sebadoh, Earlimart, Great Northern, and The Watson Twins, Everest came a calling for a fleet of performances over the course of CMJ 2010. They would assemble before a late night, boozed up audience at The Mercury Lounge; their tried and true, three guitar stab at the fundamentals of American Rock and Roll reminiscent of an early encounter with the likes of My Morning Jacket (Whom, by the way, they would take the stage in support of two days later at Terminal 5) or Band of Horses.

In addition to those performances, we were lucky enough to nab the band for a tempered down acoustic performance during our Rockwood Sessions. Showcasing a pair of songs from their Neil Young endorsed album On Approach ("Let Go" and "Tall Buildings"), as well as one from their debut Ghost Notes ("Rebels In The Roses"), the band would conjure rustic images of long lost, Laurel Canyon kind of days. Though a bit more hushed in the Rockwood environment, the band's rhythmic foundation flared through, thanks in part to the synchronous might of drummer Davey Latter and bassist Eli Thomson.

We would also share some conversation with leading man Russell Pollard and guitarist Joel Graves; the two opening up about the beautiful noise they make together and some of the inspirations that drive their music along. What follows is a personal look at a band that lead us to warn their manager, "I think you have a monster on your hands". We think you'll agree. True to Everest's name, expect massive things from this impressive LA outfit. - David Pitz

Artist Bio

Often descriptions of bands fall into the equation of "this well known group plus this other established act plus a few adjectives." But some bands defy this shorthand, offering something so pure & true that its roots aren't apparent. Everest is this sort, taking us down to foundational rock truths with an easy glide and expansive vision. While one can draw some clues from the folks theyve toured with Neil Young, Wilco, My Morning Jacket ultimately Everest is simply a great rock 'n roll band in the classic, open-minded mold, something boldly apparent on their sophomore release, On Approach (arriving May 11th) on Warner Bros. Records / Vapor Records).

Formed in Los Angeles in 2007, Everest is comprised of Russell Pollard (vocals, guitar, drums, lyricist), Jason Soda (guitar, keys, vocals), Joel Graves (guitar, keys, vocals), Elijah Thomson (bass, vocals) and Davey Latter (drums, percussion). Their 2008 debut, Ghost Notes, drew strong critical marks and comparisons to primo Topanga Canyon, California country rock. However, none of this quite prepares one for On Approach, which finds the group in a full-tilt creative charge.

"We weren't a band for very long when we made Ghost Notes. I had songs, we recorded them in just two weeks, then immediately toured. On Approach has been a completely different experience," says Pollard. "Now its guys who've actually struggled together and survived some tight spaces, cramped hotel rooms, some arguments and some really, really good times. There was a lot of collaboration, and we werent afraid to do anything."

On Approach is a bold album that bolts out of the gate with an enveloping sound capable of filling large spaces, both in the outside world and between ones ears. In broad strokes, it hits the sweet spot between stratospheric, stadium size rock and gorgeous, emotionally charged pop craftsmanship. From infectious and thumping opener "Let Go" through heavy rocker "Ive Had This Feeling Before," the sweet humming, "Keeping The Score," the naked romance of "Dots," the haunting, spacious roots rock of "East Illinois" and "Fallen Feather," and culminating in the boiling over cascade of closer "Catalyst," On Approach moves with a focused, switched-on intensity that announces the arrival of one of the most engaged rock units today.

On Approach isnt just an assemblage of random tracks, but a classic two-sider vinyl kind of album, where the full resonance and weight of it can only be felt by taking the full ride. Everest is this sort of band, too, one that strives for something more than three-minutes in the spotlight. These guys are lifers and the music they make is built for lifetimes, maintaining some elusive core that rewards one with each new spin.

"On Approach has all the good things that make a great record," says veteran producer/mixer Rob Schnapf who mixed Everests latest, and whos impressive credits include such modern classics as Becks Mellow Gold & Odelay, Elliott Smiths XO & Figure 8, as well as Foo Fighters eponymous debut. "This record has a familiarity yet doesnt copy anything. Its expansive, and it doesnt sit in one place. Listening back to the final version, I realized it was like an old-time record experience, one you dont get any more."

With guitars that range from bright and chiming to tense and meandering, harmonies that are both delicate and pastoral, and Pollards gentle, hazy vocals, On Approach is indeed reminiscent of a bygone era, a time before the Internet, when albums were still an art form and stories were told on vinyl. But as it exudes timelessness, as it ebbs from rustic grooves into hushed lullabies, it also asserts itself as something very of the here and now something that is more than the sum of its parts.

"One of the things that's intriguing about this album for me, is hearing the moments where we started to transcend," reveals Pollard, "where those moments and the music became something beyond ourselves."

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